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Drawn from Luke 8:45–47, Who Touched Me reflects the faith of the woman who reaches through the crowd to touch Jesus and receives healing.
“Who touched me?” Jesus asked. When they all denied it, Peter said, “Master, the people are crowding and pressing against you.” But Jesus said, “Someone touched me; I know that power has gone out from me.” Then the woman, seeing that she could not go unnoticed, came trembling and fell at his feet. In the presence of all the people, she told why she had touched him and how she had been instantly healed." Luke 8:45-47
In a bustling crowd near the shores of Galilee, an account of enduring faith unfolded. Among the throng was a woman who had suffered an ailment for twelve long years, a debilitating issue of blood. Her condition not only weakened her physically but also isolated her socially and spiritually, as she was considered ceremonially unclean. The scriptures reveal her plight, “And a woman was there who had been subject to bleeding for twelve years. She had suffered a great deal under the care of many doctors and had spent all she had, yet instead of getting better she grew worse” (Mark 5:25-26).
Despite her suffering and the countless treatments she had tried, this woman's faith remained undeterred. Having heard of Jesus and His miraculous works, she believed that just one touch of His garment would be sufficient to heal her. Such was her conviction that amidst the jostling crowd, she reached out, her fingers brushing the hem of Jesus’ robe. That very instant, her affliction ceased. As Mark 5:29 states, “Immediately her bleeding stopped and she felt in her body that she was freed from her suffering.”
Explore the full Behold Him collection of artwork inspired by the life of Jesus.
Originally painted in acrylic on canvas.
All prints are printed on fine art quality printing canvas. It will look and feel like the real thing. (un-matted and unframed)
All prints are also available in a pre-stretched canvas option. 1.25-inch sides, stretched on a wood frame, coated for maximum UV protection, and ready to hang.
PRINTED TO ORDER - Please allow our local printer to do a fabulous job printing your artwork. Processing time is dependent on the amount of prints on order in production (usually allow around 2 weeks).
Mindi’s fine art canvas prints are reproductions of her original paintings printed on artist-quality canvas. Sizes vary by artwork, from smaller pieces to larger statement sizes. Unless the product option specifically says Stretched Canvas Print, canvas prints are shipped unstretched.
Unstretched canvas prints can be framed, mounted, or professionally stretched by your local framer. Because each artwork has its own proportions, available sizes vary; order from the size and format shown on the individual product page.
Need help choosing a size or format? Contact Mindi Oaten Art or visit the Frequently Asked Questions.
A Stretched Canvas Print is a fine art canvas print stretched over an internal support frame, creating a ready-to-display presentation without first visiting a framer. It can be hung as-is or placed inside a decorative outer frame.
Stretched canvas sizes vary by artwork. If the size you need is not listed, contact the studio to ask whether a custom stretched size is available.
Mindi Oaten Art may be able to create an approved custom fine art canvas print in a size not listed on the product page. Custom print orders are quoted individually based on the artwork, final dimensions, proportions, and finishing requirements.
Custom sizes must respect the proportions of the original painting, and some dimensions may require cropping. The studio will confirm what works visually before the order is finalized.
For a custom print size, contact Mindi Oaten Art. For an entirely new original artwork, visit the Custom Painting & Commission page. You can also review the FAQ.
Original paintings on canvas are one-of-a-kind works created by Mindi. Many are acrylic on canvas; the exact medium and dimensions are listed on each product page. Purchasing an original means purchasing the physical original artwork, not a reproduction.
Display original canvas paintings indoors in a stable environment, away from prolonged direct sunlight, fireplaces, heating vents, bathrooms, and major humidity or temperature changes. Dust gently with a clean, soft, dry cloth or artist’s brush; never use water, sprays, solvents, or household cleaners on the painted surface.
Framing varies by piece. Some paintings can be displayed unframed, while others may suit a floating or traditional frame. Unless the listing says otherwise, framing is not included. Browse available Original Paintings or contact the studio with a framing or care question.
Some original works on paper include watercolour and other paper-based pieces; the exact medium is identified on the product page. For long-term preservation, frame them behind glass or acrylic using archival, acid-free matting and backing, with UV-protective glazing when possible.
Keep paper originals away from direct sunlight and high humidity, and do not let the painted surface touch standard glass directly; use a mat or spacer for separation.
For framing advice, contact Mindi Oaten Art. Additional ordering information is available in the FAQ.
Displaying: keep artwork indoors and away from prolonged direct sunlight, excessive moisture, smoke, and rapid temperature changes.
Handling: use clean, dry hands and hold prints or originals by the edges whenever possible. Support larger pieces evenly with two hands.
Cleaning: use only a soft, dry cloth or clean artist’s brush. Do not apply water, glass cleaner, oils, sprays, or household cleaners directly to printed or painted surfaces.
Framing: archival, acid-free materials and UV-protective glazing are recommended for works on paper and can also help protect fine art prints. Canvas works should be framed or stretched appropriately for the specific piece.
For a specific artwork, custom size, framing choice, or care concern, contact Mindi Oaten Art. You can also visit the Frequently Asked Questions or learn about commissioning a custom painting.
